Category Archives: Music

Vermont Pop Singer Nikki Guarino Streaming New Music Online

Nikki Guarino, the fresh young pop upstart from Burlington, Vermont, is currently streaming 4 new singles online.

Listen here: http://nikkiguarino.com/nikkis-music/

Just back from Los Angeles where she recorded her new EP, Happy Together with several Grammy Award-winning producers, Nikki Guarino is excited to present her fresh and exciting style to the masses. Nikki sings catchy and playful melodies over uplifting beats that you can’t help but dance to, making her a new contender in the pop scene alongside the likes of Selena Gomez, Miley Cyrus and Taylor Swift.

Her production collaborators include Gina Schock of the Go Go’s, Jeff Bova and Mike Mani and Jordan Omley of The Jam, who combined have worked with a who’s-who of music industry greats, including Katy Perry, Celine Dion, Lady Gaga, and many more. 

Aside from promoting and performing her music, Nikki is currently involved in musical drama projects in Burlington, and will be a contestant in the Miss Teen Vermont Pageant in Fall 2011.

Make sure to check Nikki out online:

iTunes: http://itunes.apple.com/us/artist/nikki-guarino/id448779895?ign-mpt=uo%3D4

Official Website: http://nikkiguarino.com/

Facebook: http://www.facebook.com/nikkigmusic

Twitter: http://twitter.com/nikkigmusic

Youtube: http://www.youtube.com/nikkigmusic

With Lions Release “Touch the Sound” EP on 11.1.11

It all started in the fall of 2005 when New York City’s Benzos and Baltimore’s Lake Trout kicked off their U.S. tour at New York’s Mercury Lounge. Flash forward six years as the singers/guitarists for both bands, Christian Celaya and Woody Ranere, now makeup the group known as WITH LIONS. November 1, 2011 marks the kick-off of an ambitious four-EPs-a-year cycle with the first release titled, Touch the Sound.

With Lions is both a band and a production team that splits their time between New York City and Baltimore, where they have been composing music for film and TV for the last three years. After amassing a large catalog of songs numbering in the hundreds, covering everything from shoegaze to industrial, orchestral to electro, and more, they began to focus on transitioning to the band side of things. They are currently preparing a number of releases, choosing a different approach to catalog their compositions in shorter groupings, such as EPs.

Each release will explore a different mood and direction, thus freeing the band from the confines of a certain sound or trademark that their previous outfits were categorized by.

After years of touring on the road and then years living in the studio composing for film and TV, With Lions plans to take a very different approach to releasing their music and connecting with the audience. While not trying to set too many ground rules, they did agree that they would eliminate all creative limitations one experiences when in a band that has a signature sound. That meant that no matter what genre or mood they wrote in, it would be a With Lions song.

Epic and cinematic, With Lions’ EPs are broken into mini scores. Dark, saturated harmony, their music can only be described in film terms. “We try to score life,” says Celaya. Whether it’s a film from childhood or a specific scene etched in your memory, With Lions’ multiple soundscapes revisit it all while moderinizing classical schemes.

The massive lifting energy of Touch the Sound channels the rhythms and progressions of Phil Spector’s early-60s pop with the driving fuzz of Creation Records’ late-80s British alternative rock. Upon the EP’s completion, Christian and Woody decided to take these songs to the stage in a different way. Rather than touring endlessly in support of each release, they’re concentrating on making their live performances more of a limited, special engagement, which they also intend on documenting for video to be given out to their supporters. Using this format will allow With Lions to put together a unique, live, music experience for every one of their EPs.

The first performance takes place Friday, November 11 at New York’s Mercury Lounge, where WITH LIONS will be backed by a full band of their cohorts from the past, playing all of Touch the Sound as well as new tunes from the upcoming EP releases. While Touch the Sound’s live setup will include members of Benzos and Lake Trout in a more traditional rock band alignment, the forthcoming releases will include everything from string quartets and horn sections to an army of synthesizers.

FRIDAY, NOV 11 – 8pm
WITH LIONS @ MERCURY LOUNGE
TOUCH THE SOUND RELEASE PARTY
217 E Houston
New York, NY
http://www.mercuryloungenyc.com/event/68637
TIX
21+
$10

The Mercury Lounge band lineup includes:
Woody Ranere on vocals, guitar and synth
Christian Celaya on vocals, bass, guitar and synth
Brian Joyce (Benzos): lead guitar
Matt Pierce (Lake Trout and UNKLE): synths, laptop
Mike Lowry (Lake Trout and UNKLE): drums
Stephen Ortega (Happy People): vocals, percussion

Before their official release show, With Lions will perform an experimental set as a duo at the Tijuana Gift Shop Official CMJ Showcase at Bowery Electric on Wed, Oct 19th at 11pm.

http://www.facebook.com/pages/With-Lions/35260896515

Fold Launches Debut EP Calling For Social Change

Fold is a downtempo group fronted by musician and social activist Seth Mowshowitz. Mixing recordings from humanitarian speakers like Martin Luther King, Kurt Vonnegut and Jimmy Carter with world-weary beats, Fold seeks to confront the edifice of modern society with an urgent call for change. Fold’s music has been described by poet Mr Gee as ‘almost like a modern day blues.’

Fold have committed to giving 3/4 of their profits to two outstanding organisations dedicated to social transformation: Kiva and the Tax Justice Network. Every purchase of a Fold record not only funds future Fold releases but also supports concrete steps towards a fairer and more sustainable society that places life above profit.

Fold’s debut EP We Must Speak is out digitally October 31, 2011 on all major networks worldwide (including iTunes, Spotify, Amazon & Zune). You can listen to it now at http://soundcloud.com/fold or buy it now at http://fold.bandcamp.com

Based in Leeds and London Fold performs mainly at events in support of groups like Art Uncut that seek to redress the global imbalance of wealth through advocating stronger regulation of financial institutions and reform of government policy.

Bear Lake Releases “Only War” MP3

Inspiration can come from any source; the world around us, the great beyond, even your gorilla-suit clad producer. Bear Lake, an indie pop quintet from Detroit has pulled all of these influences together in the latest release from If You Were Me, “Only War”. The track, with its melding of electronic elements and vocal effects with traditional rock instruments, has a moody feel owing partly to the fact that it was recorded on Halloween.

“That particular night had a real impact on the song,” says Jon Rice vocalist and guitarist. “It gave it a darker, more mysterious vibe than the original demo presented. There’s something about recording a tune and looking up at your producer fully cloaked in a giant gorilla costume that makes you think about things differently.” “Only War” is reminiscent of Death Cab for Cutie, particularly in the way it gives off a feel good vibe despite its troubled-relationship lyrics. Download “Only War” from http://glgpub.com/roster/bear-lake

With their third album, If You Were Me, Rochester, Michigan’s indie pop rock quintet, Bear Lake explores the fertile ground the title evokes. With more personal and reflective songs, and a honed writing process involving all five members, Bear Lake has produced a collection of expertly produced songs that not only allow the listener to step into someone else’s shoes for a time, but make it impossible not to. If You Were Me will be released nationally October 25th.

From “Scissors,” with its compelling synth intro, driving drums and perfectly pop falsetto vocals; to the melancholy “Breaking Me Down,” about all of the things that get in the way of love; to the title track with chiming guitars and almost-tender vocals, “If You Were Me” which is Bear Lake’s message to those who doubt their plan, captured in the lines, “And all the things you’ll see wouldn’t feel right if they were free.

It’s the cost that guides the train wouldn’t feel right if they were sane,” If You Were Me, produced by Eric Hoegemeyer and mixed by Al Sutton (Kid Rock, Sheryl Crow, Hank Williams, Jr.) at Rustbelt Studios, is a set of songs tied together by empathy and the desire for it.

The highly anticipated release of If You Were Me has already met fans with much satisfaction and has them begging for more Bear Lake. Radio has taken a liking to the band, as Bear Lake debuted at number 16 on the CMJ Adds chart on July 5, 2011, and within three weeks has landed at number 127 on the CMJ top 200, a ranking that is sure to increase. Rachel May of the Detroit Free Press calls the album “captivating from the first song to the last,” a true compliment from an accomplished musician and journalist.

Since they formed in January 2008, the members of Bear Lake have shared a common purpose: to make music that matters as a whole, where no one stands above anyone else and everyone has equal access to the spotlight. Five men from Metro Detroit in their twenties, each bringing their own unique songwriting style to the table, found magic in the fusion of ideas and harmony in their masterful, melancholy voices.

They create a gutsy, new wave sound that marries the magic of Band of Horses, the epic might of early Radiohead and the pop sensibility of Guster and Snow Patrol. Their incredible energy draws listeners in quickly to their circle of songs, warmth of their stories and to their collaborative musical journey.

Upper Peninsula Singer-Songwriter Scotty Alan Releases His Debut Album Wreck and the Mess

Scotty Alan used to be a punk rocker. This underlying edge and adeptness at delivering emotional immediacy in as few as 84 seconds resides at the core of his remarkable new album Wreck and the Mess.

It’s not necessarily that Alan has mellowed; his music and lyrics, with raspy and expressive vocals, are still bright with energy, still darkly funny at times. But with a fresh rootsy, countrified sound comes a heightened awareness, and an emotional outlook tested and tempered by experience.

The album’s 15 songs, clocking in at 45 minutes, were produced by Bernie Larsen (Lucinda Williams, Melissa Etheridge, Rickie Lee Jones, Jackson Browne, El Rayo-X) and arranged in narrative sequence, reflecting on a relationship gone bad.

From wistful nostalgia (“Remember how when I was Your Hero?”) to downright despair (“…you rot from the inside. You’re a Long Ways From Laughing”). From bemused self-deprecation (“Ain’t Much, but I’m all you got”) to narcissistic cynicism (“the next time I fall in love, I’m gonna Do It Alone”), the album progresses thoughtfully, catching glimpses of life beyond Alan’s own perplexity and loss and congeals it in the dark consoling tenderness of “Barn Dance” (“Life’s a long row you best call the fiddler. As you work the dirt in the valleys and hollows, where all you may leave your loving wife is a widow”).

From questioning his small town contentment in “Dusty Hollow” (“Ain’t there something worth leaving for?”) to his own pensive lament (“Like roots that seek deep dirt, it’s Sinkin’ In”), Alan ultimately punctuates his present journey with the beginnings of romantic rejuvenation that are laced with a snarly trace of his former musical self (“Said I’m looking for ‘Someone To Fight’…the world with”). It’s two minutes on the nose and brings the Mess to a close.

The Wreck recording sessions took place at Larsen’s Spinout studio in Los Angeles with Bernie wrangling together an all-star supporting cast that includes guitarist/fiddle-player David Lindley (Bob Dylan, Rod Stewart, Linda Ronstadt, Warren Zevon) guitarist Randy Mitchell (Warren Zevon, Billy Bob Thornton, Donna Summers), bassist David Sutton (Lucinda Williams), drummer Butch Norton (The Eels, Tracy Chapman, Lucinda Williams, Rufus Wainwright), mandolinist Phil Parlapiano (John Prine, Rod Stewart, Josh Freese, Victoria Williams), singer Kristin Mooney (Peter Himmelman, Martin Zellar), musician Jorge Calderón (Warren Zevon, Ry Cooder, Jackson Browne, Pegi Young) and organist Ian “Mac” McLagan (Faces/Small Faces, Rolling Stones, Bob Dylan, Bonnie Raitt).

Once the star-studded tracks were put to bed, Larsen teamed up with legendary engineer Niko Bolas (Neil Young, Don Henley, Jeff Beck, Circle Jerks) to co-mix the album at L.A.’s Surf Shack before handing off the mixes to Nashville mastering guru Richard Dodd whom is best known for his work with George Harrison, Roy Orbison, Tom Petty and The Traveling Wilburys.

Scotty Alan lives outside the small town of Marquette in the Upper Peninsula of Michigan near the southern shore of Lake Superior. It feels like the middle of nowhere. Living in the Northwoods on ten acres (christened Old Kiln Road Homestead) in a modest off-grid log cabin he’s been slowly augmenting for 19 years (for example, he went through two Number 2 spades to dig out the basement for three solitary months). He takes care of many of his needs himself: hunts deer, fishes, gardens, gathers berries and heats with wood cut from his land.

Buttressed in winter by ten-foot walls of snow, Scotty often finds himself holed up in his homestead, honing his craft and singing in the sauna. He likes solitude but isn’t solitary. Living just two and a half miles from the house he grew up in, he’s part of an extended family, in the area for generations, that has a lot of Finnish blood flowing through it.

Alan says he doesn’t listen to music much, but has been making it since he was 14. Starting out in 1987 in a three-man original punk band called The Muldoons, the group released five albums over the course of a decade. Disbanded and downsized to a self-proclaimed “two-man trio,” the duo forged ahead playing drums with their feet while playing guitars from 2000 to 2005.

For the next five years, Alan continued writing and self-releasing material on his own, playing shows throughout the Midwest and even did a string of performances in clubs and coffeehouses in Amsterdam. In January of this year, Scotty re-connected with Larsen, whom has issued several of The Muldoons releases via his Spinout/RCI Records imprint, and embarked on a trip to L.A., a strange, snowless place, to lay down the tracks for what would become the new album.

Wreck and the Mess is a congruous batch of meticulously crafted songs that provide an unflinching but always humane look at the difficulty of a love lost.

Scotty Alan
Wreck and the Mess
1. Good-Bye
2. Your Hero?
3. Long Ways From Laughin’
4. Ain’t Much
5. Dam
6. Says Lately
7. Barn Dance
8. Not Ready To Be
9. Down Before I Fall
10. Do It Alone
11. Was It Ever?
12. So Loud
13. Dusty Hollow
14. Sinkin’ In
15. Someone to Fight

Produced by Bernie Larsen
Mixed by Bernie Larsen and Niko Bolas
Mastered by Richard Dodd

Musicians:
Scotty Alan – Vocals, Acoustic Guitar
Bernie Larsen – Acoustic/Electric Guitars, Lap Slide, Wurlitzer, Organ, Keyboards, Percussion, Spoons, Back-up Vocals
Butch Norton – Drums
David Sutton – Bass
Randy Mitchell – Electric Guitar
David Lindley – Acoustic Lap Slide, Fiddle
Kristin Mooney – Back-up Vocals
Phil Parlapiano – Mandolin, Accordion, Organ
Jorge Calderón – Back-up Vocals
Ian McLagan – Piano, Hammond B3
Carey Bohjanen – Back-up Vocals

Irish Roots-Rock Purveyor Tony McLoughlin’s Latest Album Climbing The Charts And Garnering Rave Reviews

Ride The Wind, the fourth and most recent effort from Irish singer-songwriter Tony McLoughlin captures his signature Americana-based sound and radio and industry insiders are loving it’s Petty meets Springsteen vibe.

“The guitar work and vocals…keep the sound raw and not overproduced – the songs really come to life. It does not disappoint and all the cuts have something to offer,” said Brian Bourgoin, Music Director at WCNI-FM in New London, CT.

With increased spins and great feedback like this, it comes as no surprise that the album is currently charting at #11 on AirPlay Direct’s Top-50 Americana/AAA Chart, putting him two spots ahead of John Mellencamp!

Chuck Dauphin at Music News Nashville is another avid supporter of Tony’s cool mash-up of rock, folk and blues. “If you like music from an artist who has been around the block a few times and can sing about the mistakes they have made, as well as the lessons learned from them, give this a try. Chances are, you’ll be glad you did!” he said.

Born in Northern Ireland, Tony grew up around music and has been playing since his college days but only turned his hand to songwriting and recording in the last 15 years. With influences from all types of genres including folk, rock, blues and even bluegrass, Tony began work on his first album, Cinerama, in 2000 which was followed up with a rougher-edged Glory Bound in 2002. Over the next few years, he toured both extensively and successfully through Germany and other parts of Europe as part of a band, duo and as a solo artist.

In 2006, he ventured to Music City to begin work on his third studio album, Tall Black Horse, which resulted in a compilation of deeply powerful and authentic Americana songs. Tony’s fourth and most recent effort, Ride The Wind, is yet another can’t-put-down album from one of Ireland’s most rugged roots-rock tunesmiths!